Original lord of the blast beats as a drummer in Napalm Death, Extreme Noise Terror and Godflesh, it is probably his work with the pseudonym Scorn that has influenced the most a diverse array of music creatives operating under the transgressive aegis of the encounter between the Industrial continuum and the Dub culture. After an hiatus of several years, he’s returned as Fret, a winning proposal from the technoid void as only he has honed to realize, with its characteristic colossal heavy bass work and notable textural density.

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